Vast Roman Industrial Complex Unearthed in Tunisia, Rewriting History of the Region

A monumental Roman-era complex, dedicated to the large-scale production of olive oil, has been discovered in central Tunisia, revealing an industrial and economic hub far more advanced than previously believed. Archaeologists from the University of Ca’ Foscari of Venice, in partnership with the University of La Manouba in Tunisia and the Complutense University of Madrid, have uncovered the sprawling 33-hectare site at Henchir el Begar. The discovery, announced on November 17, is set to redefine the role of North Africa in the Roman Empire’s supply chain. Dubbed one of the…

Tunisian Women’s Tech Delegation Forges European Partnerships in Landmark Belgium Mission

A delegation from the Tunisian women’s consortium “WETIC” has concluded a strategic prospecting mission to Belgium, aimed at bolstering female entrepreneurship in Tunisia and forging new digital partnerships with Walloon companies. The visit, which was facilitated by Tunisia’s Ambassador to Belgium, Sahbi Khalfallah, included high-level business meetings during a dedicated Tunisian-Belgian forum and a series of B2B sessions. These engagements connected the delegation with a range of Belgian and African enterprises, with a sharp focus on opportunities in information technology, communication, and digitalization. To gain firsthand insight into European business…

Tunisia Surpasses 10 Million Tourists, Marking a Robust Recovery

Tunisia’s tourism sector is demonstrating strong momentum, with official figures revealing the country welcomed over 10 million visitors in the first 11 months of the year, signaling a significant post-pandemic rebound. According to data from the Tunisian Tourism Ministry reported by Mosaique FM on Tuesday, tourist arrivals between January 1 and November 20 surged by 10.3% compared to the same period last year. The recovery has been notably driven by a dramatic influx of British holidaymakers. Arrivals from the United Kingdom skyrocketed by 40.1% to 415,000, solidifying it as a…

Port Said Hosts “Down to Earth” Climate Photo Exhibition, Echoing COP30 Talks

 As world leaders convene in the Amazon for the COP30 climate summit, a powerful photographic exhibition in Port Said is presenting a stark, visual testament to the planet’s environmental crises and the communities fighting back. Titled “Down to Earth: Climate Change and Climate Futures,” the exhibition is organized by Photopia in partnership with the World Press Photo Foundation and is held under the auspices of the Embassy of the Netherlands in Cairo. The showcase, located in Princess Feryal’s Garden, features 21 award-winning projects from the World Press Photo archive, all…

Diversity of Performances Marks Third Day of Carthage Theatre Festival

Algerian Play “Roman Carnival” Critiques Art World Exploitation at Carthage Festival ——————————————————————————————————————– The third day of the 26th Carthage Theatre Days (JTC) showcased a range of theatrical productions, underscoring the festival’s role as a premier platform for Arab and international stage art. The day’s lineup featured compelling performances from across the region, including: The diverse programming highlights the festival’s commitment to presenting works that tackle universal human experiences through varied artistic lenses, from stark social realism to poetic visual metaphor. Algerian Play “Roman Carnival” Critiques Art World Exploitation at Carthage…

Theater Forum Sparks Debate as Veteran Director Jebali Delivers Unfiltered Critique

The second day of a major theater forum was dominated by the provocative and unscripted remarks of veteran Tunisian director Taoufik Jebali, who delivered a sweeping critique of censorship, fickle audiences, and a lack of direction among the new generation of artists. Speaking to a packed audience of international professionals, Jebali, a foundational figure in Tunisian theater, pulled no punches in his assessment of the current cultural landscape. A “Failed” Artist by Choice Jebali, who famously rejects the “emblematic figure” label, preferring to call himself “a theatre man who is…